DC Super Hero Girls Introduce a New Generation to Comics

At one end of the DC Extended Universe lie the movies, a dark, heavy, Zack Snyder-influenced place defined by desaturated colors and humorless remakes of classic rock songs. Since 2009’s Watchmen, Snyder has translated comics to the movie screen with a very literal hand, treating Superman, Batman, Wonder Woman, Aquaman, and Flash as godlike creatures, then giving the films an epic look and style appropriate for god war. Wonder Woman escaped the shroud of gloom, and its title character is central to a less angsty corner of DC’s world.

James Marsters Finds His Tribes at Wizard World Comic Con

James Masters has had a career tailor-made for Wizard World Comic Cons. The cons are fundamentally tribal, and his acting career has landed him in a number of tribes. Most of the world got to know him as Spike in Buffy the Vampire Slayer and Angel, so he’s part of the Buffy tribe. The Doctor Who tribe claim him because he appeared in the spin-off Torchwood.

Rob Guillory Prepares for the Last "Chew"

Lafayette comic book artist Rob Guillory thought he understood Chew when he drew the first issues in 2009. He thought he was telling a straightforward crime story with a main character who was a “cibopath”—someone who received psychic impressions from whatever he ate. He used his unusual gift to fight food-related crime as part of the FDA in a world where chickens are illegal after a catastrophic bird flu epidemic. 

Wizard World Comic Con Goes Girl Crazy

My introduction to this year's Wizard World Comic Con came Saturday with lines dotted with Imperial Stormtroopers, superheroes, Drs. Who from a few incarnations, and cosplayers from across the pop culture spectrum. The lines to get in stretched in and out of the Morial Convention Center, but no one seemed to be particularly troubled by this development. Instead, the overall vibe was that they were among their people.

Neal Adams Fights the Bulk

In the 1970s, Jack Kirby and Neal Adams were the two gravitational poles of comic book art. Kirby’s work was all space-aged, visual dynamics, with cosmic impact in every brush stroke, while Adams’ work was far less obviously stylized. His figures were less blocky and musclebound than those of his peers and certainly less so than those drawn by Kirby, whose superheroes were often costumed tanks.

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