Register for a Chance to Win Weekend Passes to Voodoo 2017

Tuesday morning, the Voodoo Music and Arts Experience will release its talent lineup for this year’s festival. Voodoo will take October 27-29 in City Park, and this will be the second year that C3 Presents will produce Voodoo, which benefited from a more focused lineup with a more intuitive layout last year that addressed previous years' soundbleed issues. At a time when even the festival’s good years felt provisional, Voodoo 2016 raised the possibility that a corner had been turned.

Angel Olsen Shows Off Modestly

Angel Olsen’s voice is a force of nature. It’s pained and soothing, soulful and ethereal all at once, a shock to the system of any listener with two functioning eardrums and a beating heart. Her lyrics feel deeply personal, often addressing a past love or an unrequited interest directly in the second person, and when her voice floats out of a pair of speakers (or better yet, headphones), she’s speaking directly to you.

Tysson Aims for Plastic, Not Gold

In 2008, John Michael Rouchell made himself an important part of the New Orleans music story. He recorded and released online a song a week for a year, and the musicians he worked with evolved into the band MyNameIsJohnMichael. The album culled from the best of those tracks, The People That Come and Go, found a spot where the folky, working class, storytelling songwriting of someone like Bruce Springsteen met indie rock.

"American Band," a Very British Band, and Bryson Tiller Wants to Explain

The Drive-By Truckers’ recent albums resembled the output of a mid-career contemporary novelist—well-observed, well-crafted, but slightly dour with differences between them that meant more to the Truckers than their audience. Yesterday I turned to their new album, American Band, to feel some righteous anger, and the album marks a broadening of the band’s stake and focus—one tipped by the album title.

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