Kero Kero Bonito Searches for Sense in a Messy World

[Updated Kero Kero Bonito has undergone a sea change. Their sound, once radically cheerful, matured into angsty uncertainty with the release of Time ‘n’ Place in early October. The British pop project started as a simple synth trio, with Gus Lobban and Jamie Bulled manning the boards, and Sarah Midori Perry singing and rapping, alternating enthusiastically between English and her native Japanese.

Are Soundscapes the Key to Better Sound Management in New Orleans?

Last December, David Woolworth of Roland, Woolworth & Associates organized “A Workshop on Sound for New Orleans.” The city hired Woolworth as an acoustic expert when City Council considered updating the noise ordinance in 2014. A soundwalk he led on Bourbon Street late one afternoon illustrated the simplistic nature of the proposed solution as many Bourbon Street venues violated the proposed decibel threshhold before the crowd arrived and the street got genuinely loud.

The Lost Bayou Ramblers Make Cajun Modern on "Kalenda"

[Updated] It’s easy to hear why Lost Bayou Ramblers’ Kalenda received a Grammy nomination for Best Regional Roots Music Album. The album shows clear Cajun roots, and the non-pop music voters in the National Academy of Recording Arts and Sciences value roots. At the same time, Kalenda sounds contemporary—something the Academy’s pop voters love and can understand.

Boris Starts From Scratch

When Boris played One Eyed Jacks recently, there were moments when the Japanese noise-rock trio sounded as though it had scrapped the entire history of recorded music and created an entirely original form of organized sound. Boris has always lived on the fringe, especially in its native Tokyo, where the band were the first to truly explore harsh noise inspired by the likes of Melvins and Earth in the early ‘90s.

The Melvins Induce Whiplash and Hearing Loss

Thrashing drums, thumping bass, crazy eyes, bubble-bath hair. The Melvins surely lived up to their reputation Wednesday night at One Eyed Jacks. Although they released their first album in the late '80s, The Melvins charisma and innovated sound has not rusted in the slightest. The performance was energized and raw, selling out the small venue to a generationally diverse crowd clad in band T-shirts and black jeans.

Day For Night Powers Through, Rain Or Shine

When you think of a music festival in 2016, an abandoned post office doesn’t generally come to mind, so when I learned that Houston’s second annual Day for Night festival would be held at the old Barbara Jordan Post Office building, I was intrigued. A quick perusal of the festival’s website offered a little more insight into the unusual location choice.

Voodoo News: A Long Last Look at a Shortened Voodoo

It was a shame to have Voodoo 2015 come to an early end with Sunday lost to rain and mud, but judging by the photos organizers posted on Facebook, the grounds were at least miserable if not dangerous. And, it’s hard to imagine who made the long, slow, precarious slog out through ankle-deep damp mud at the end of the night Saturday and didn’t ask themselves if anyone was worth another day of that.

Pages