Fleetwood Mac's Last Tango

When Warner Brothers reissued Fleetwood Mac’s Tango in the Night, I messaged Jonathan Pretus of The Breton Sound to talk about it. He’s one of my favorite people to talk to about pop music (he also joined me on the My Spilt Milk Podcast on Brian Wilson), but the album doesn’t get the same respect as Rumours or Tusk so I can’t count on even pop obsessives to care about it.

The Breton Sound Owns its Ambition

The Breton Sound plays arena-sized rock in indie-sized rooms. Many of the band’s models are pop classicists—The Beatles, The Beach Boys, The Monkees, Big Star—but the results are closer in spirit and sound to Weezer and Foo Fighters. It’s no coincidence that when the band performed a couple of Desert Island Disc shows last year, they covered Pinkerton and The Colour & The Shape from end to end.

Voodoo Preview: The Breton Sound Balance the Equation

Half of The Breton Sound has played Voodoo before, just not as The Breton Sound. Drummer John Bourgeois played a regular 11 a.m. slot in the Preservation Hall Tent with ska/punk band Fatter Than Albert, who could get 300 people in the gates first thing in the rock ’n’ roll morning when the festival was otherwise just waking up. Guitarist Jonathan Pretus played in 2008 as a member of Cowboy Mouth immediately before R.E.M. on the Sunday night.

Pages