Jazz Fest: Tuesday Night in the Clubs

In recent years, Jazz Fest at night has been a jam fest, and that’s certainly going on. Every night this time of year, some combination of guys who don’t usually play together are playing something funky somewhere in New Orleans. Fortunately, this year’s offerings have been broader than that. People are still jamming, but we also get nights like tonight, where our highlights have a little range to them.

Jazz Fest: Saturday's Best at the Fest and the Clubs

Saturday at Jazz Fest, Rod Stewart tags in for Aretha Franklin. I give Stewart credit for aging into the Great American Songbook--even if I don't want to hear him sing those songs--but when he last played Jazz Fest in 2007, he closed with "Da Ya Think I'm Sexy." That might be a question that the then-62 Stewart wondered in his heart of hearts, but making it his final statement/question to the audience made him seem desperate and shallow.

Bubble Bath Records Takes a Communal Bath

Some believe that starting a record label in 2018 is a death sentence, but with a savvy business and marketing strategy, Bubble Bath Records thinks it has figured things out. Bubble Bath was founded by musicians John Maestas, Violeta Del Rio, and Alex Peña, alongside videographer and graphic designer Patricia Moscardó, and marketing strategist Elijah Carroll.

The NOJO, Robert Glasper Give the Horns the Best Seats in the House

When you Google “Mr. Hands,” the Wikipedia entry “Enumclaw horse sex case” is the first link, followed by the entry for Mr. Hands, a lesser-known Herbie Hancock album. So why didn’t anyone involved in the planning of the New Orleans Jazz Orchestra’s “Mr. Hands: A Tribute to Herbie Hancock ft. Robert Glasper,” a big-ticket performance last Friday night at the New Orleans Jazz Market, take a moment to reevaluate their event title?

Herbie Hits Home

Jazz, like light, changes every time you look at it. No one embodies this constant flux better than Herbie Hancock, who is still alive, well, and making moves at 77. Hancock graced the Orpheum with his superhuman stylings on Sunday, and the New Orleans jazz world looked on in awe.

Nicholas Payton Traces the Birth of Pop Culture Back to Satchmo

[Updated] Nicholas Payton has made himself an Internet creation. He certainly had an acclaimed career without the Interwebs, but he has adapted himself and his art well to its modes, preferences, and bricolage-like habits. He has become a brand, so that everything he says or does is an extension of #BlackAmericanMusic or #BAM.

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