The NOJO, Robert Glasper Give the Horns the Best Seats in the House

When you Google “Mr. Hands,” the Wikipedia entry “Enumclaw horse sex case” is the first link, followed by the entry for Mr. Hands, a lesser-known Herbie Hancock album. So why didn’t anyone involved in the planning of the New Orleans Jazz Orchestra’s “Mr. Hands: A Tribute to Herbie Hancock ft. Robert Glasper,” a big-ticket performance last Friday night at the New Orleans Jazz Market, take a moment to reevaluate their event title?

Herbie Hits Home

Jazz, like light, changes every time you look at it. No one embodies this constant flux better than Herbie Hancock, who is still alive, well, and making moves at 77. Hancock graced the Orpheum with his superhuman stylings on Sunday, and the New Orleans jazz world looked on in awe.

Nicholas Payton Traces the Birth of Pop Culture Back to Satchmo

[Updated] Nicholas Payton has made himself an Internet creation. He certainly had an acclaimed career without the Interwebs, but he has adapted himself and his art well to its modes, preferences, and bricolage-like habits. He has become a brand, so that everything he says or does is an extension of #BlackAmericanMusic or #BAM.

Kamasi Washington's Cosmic Voyage Touches Down at One Eyed Jacks

In contemporary jazz, few names ring out as loud as Kamasi Washington. The Los Angeles-based baritone saxophonist, band leader, composer, and cosmonaut towers above the scene, his massive frame dwarfed only by his prodigious chops. This weekend, he’ll park his spaceship at One Eyed Jacks, where he has early and late shows scheduled for Thursday, Friday, and Saturday nights.

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