Guts Club Finds Her New Voice on "Trench Foot"

The one-line story of Guts Club’s new Trench Foot is that Guts Club goes electric. Lindsey Baker is Guts Club, and she remains an indie folkie, but she has traded her acoustic guitar for an electric one, and with it came a band. Despite those changes, the meaningful difference between this album and the ones before it is her voice, and perhaps because it is different, so are the songs.

Broken Social Scene Converges

Canadian indie pop big band Broken Social Scene could very easily be the punchline to a joke your alt uncle tells at Thanksgiving or the subject of a Hard Times headline. Instead, it’s a juggernaut, a force to be reckoned with in any self-loathing, introspective millenial’s iTunes library. The collective has been around for 15 years now, losing and gaining musicians, taking breaks and getting back together. All 15 original members reconvened last year (along with three new ones), returning from a seven-year hiatus to release their sixth LP, Hug of Thunder.

Voodoo News: Brand New is Consistently Brand New

In rock and roll years, late thirties elevates a band to wise elder status. Brand New released its first album in 2001 and have lived five different lives on each of their studio albums through experimentation with different genres, vocal styles, and sounds. No Brand New album sounds alike, which is what makes the band's most recent and possibly final release, Science Fiction, both intriguing and enjoyable.

Girlpool Connects with Vulnerability and Friendship

In the middle of Girlpool’s show last week at Republic, guitarist Cleo Tucker laughed at her bandmate and best friend Harmony Tividad as the two joked about how amazing it would be if Starbucks had a gas station. The audience, a modest crowd clad in baggy jeans, button up shirts, and grunge hair styles, giggled along with the band.

Zack Villere Tries to Figure Out What's "Next"

When I interviewed electronic artist Zack Villere in 2016, he saw a future as a singer. 

“There are so many different facets to pop music that I can make what I want if I call it pop,” he said. “I don’t know if it’s pop like Justin Timberlake pop, but it might be. You never know what the next wave of popular music will sound like.”

Alison Crutchfield Works on Her Boundaries

When Allison Crutchfield described Tourist in This Town as a “feminist break-up record,” she meant she was revisiting one of rock ’n’ roll’s most common concepts, but her way. “I think anything I make will a feminist record because as an artist, that affects everything that I make, even though this is an album about a fucking break-up,” she says.

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