Pink Martini's Life After Mancini

Pink Martini didn’t become a lounge band for the reasons you might expect. No one watched Robin and the Seven Hoods and said That! I want to be cool like that! No one worked in a secondhand store, saw a few sharkskin suits and thought, Bands have started with less. No one lucked into a stash of exotica hi-fi albums and stereo test records in a Salvation Army and wondered, How can I make that sound? No, Pink Martini started when Thomas Lauderdale got political.

Robert Gordon's Memphis Rent Party Comes to New Orleans

Writer and filmmaker Robert Gordon has made a career of documenting Memphis’ music and the underground culture associated with it. In 1995’s It Came from Memphis, he folds disc jockey Dewey Phillips and professional wrestling into an account of the music scene that swerves noticeably around the city’s two biggest successes—Sun and Stax Records.

John Broven Compiles More Than He Writes New Orleans' Musical History

Writer John Swenson has argued that the change many feel in Jazz Fest has more to do with the passing of the generation of artists who defined the festival than the artists who replaced them. Earl King, Eddie Bo, Snooks Eaglin, Ernie K-Doe and Allen Toussaint were all links to the heyday of New Orleans R&B, and without those tangible roots and the distinctly New Orleanian eccentricity each possessed, the festival can’t help but seem more conventional. This year, Dr.

Treme: Wendell Pierce on Preservation

This season of HBO's Treme has dealt explicitly with cultural preservation, whether it's the demolition of the projects that came up this week or the lack of respect for its musical landmarks, highlighted by DJ Davis (Steve Zahn) leading a tour of gated and razed historical sites. When one tourist observes that many historical sites in Chicago were leveled by the wrecking ball, he says, "This is New Orleans. We let it go to hell. Preservation through neglect."

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