Sinkane Called for Revolution on the Dance Floor at Gasa Gasa

[Updated] When Sinkane wants revolution, it folds The Beatles’ “Revolution” into one of its own songs, “Ya Sudan.” Frontman Ahmed Gallab went there Wednesday night at Gasa Gasa after telling the story of revolution in his home country of Sudan—the only time Gallab stopped to explain anything. Otherwise, he let his songs speak in the broadest ways, which was more effective than that might sound.

Early in the set, yeyboard player Elenna Canlas sang:

Lizzo Brought The Fillmore To Church

Lizzo wants her live shows to be church, and her sold out show at the Fillmore on September 8 was exactly that. At the center of the stage was an altar, with orange lighting washing the stage. As the smoke built and dissipated, out walked Lizzo, dressed in a shimmery gold robe like that of a gospel singer. While the crowd’s excitement built, she started her set with “Heaven Help Me” and began her work of bringing the audience to worship.

Anderson .Paak Didn't Need the Weather to Generate Heat at Champions Square

Anderson .Paak knows that his face is his money. He named the tour that brought him to Champions Square Saturday night “The Best Teef in the Game Tour,” and he showed off his fine set of choppers all show. His face is so important that he mounted a camera on his drum kit so that even when he was playing, we could see him. 

Shorty, Nevilles Belatedly Pass the Torch at Jazz Fest

Jazz Fest producer Quint Davis introduced the festival-closing set by saying that three acts had closed the fest on what is now the Acura Stage—Professor Longhair, the Neville Brothers, and Trombone Shorty and Orleans Avenue—and that two of the three were coming up. There were a few other acts between Longhair’s death in 1980 and 1986 when the Neville Brothers took up residency in that spot, but the time slot has been associated with the Neville Brothers and Shorty for more than 30 years.

Lost Bayou Ramblers Explore Cajun's Outer Limits at Jazz Fest

A lot was good on Friday at Jazz Fest, but nothing was as mind-blowing as the Lost Bayou Ramblers’ set. The Cajun band has shown a healthy sense of adventure since 2012’s Mammoth Waltz, but you could almost always trace musical ideas back to Cajun musical traditions. Friday, they went further out, and it sounded better for the moments of musical exploration.

New Orleans Makes its Presence Known at South By Southwest

Of the hundreds of bands that played in Austin last week, only 14 New Orleans acts performed at official South By Southwest showcases. But these acts—along with a few other Louisiana bands and yet a few more who played unofficial shows—provided a vivid, if incomplete, music industry State of the Union for our little sliver of Planet Earth.

The Internet Finds Its Crowd In New Orleans

I saw The Internet almost exactly one month before its performance in New Orleans when it opened for Gorillaz in Chicago, and I was one of the only people around me who knew the band’s music. That night, I got side eyes for knowing and singing along to its songs, but at the House of Blues recently, The Internet’s fan base was devoted. The outpouring of love and energy was unlike anything I’d ever seen, and it was clear that band members were surprised as well.

An Unplanned Ending the Only Blemish on Janelle Monae's Voodoo Set

[Updated] The last time Janelle Monae played Voodoo, it was located in City Park’s Marconi Meadows in 2010, She was touring behind her debut album, The ArchAndroid, and when she performed “Tightrope” to close the show, she tipped the tightrope on the ground in front of 50 or so people who supportively gave her room to move. 

Tank and the Bangas Are Right Band, Right Time

Tank and the Bangas have become one of the best stories in New Orleans music. Their growth as artists and performers has been steady, and success hasn’t come at the cost of their nerve. Instead of remaking “Walmart” again and again or—worse—simplifying their songs to make them more conventional, they’ve asked more of their audiences instead of less.

Jazz Fest: Shorty Honors the Nevilles

Trombone Shorty’s fest-closing set deserves to be the ritual that the Neville Brothers’ set used to be. The shows have been impressive, funky, and a lot of fun as he worked to justify occupying the slot, and each one has shown meaningful growth. He concluded this year’s Jazz Fest by using his songs as starting points for more expansive musical experiences.

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